By Robin Benway
Being a 16-year-old safecracker and active-duty daughter of overseas spies has its moments, sturdy and undesirable. execs: Seeing the area one crime-solving event at a time. Having mom and dad with tremendous cool jobs. Cons: by no means staying in a single position lengthy adequate to have buddies or a boyfriend. yet for Maggie Silver, the largest perk of all has been fending off highschool and the accompanying cliques, undesirable lunches, and frustratingly easy locker combos. Then Maggie and her mom and dad are despatched to big apple for her first solo task, and all of that alterations. She'll have to attend a personal institution, steer clear of the temptation to hack the school's safeguard process, and befriend one aggravatingly lovely Jesse Oliver to realize the basic details she must crack the case . . . all whereas making an attempt to not blow her hide.
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Additional info for Also Known As (AKA, Book 1)
163 . Grosz, Einstein und Heartfield 69 John Heartfield, Berliner Redensart, Fotomontage fUr Kurt Tucholsky, Deutschland, Deutschland iiber alles, Berlin 1929, S. 176.
In: Grosz, Berlin - New York, S. 186. Vgl. dazu George Grosz, Lustmord in der Ackerstral3e (1916117), Feder, Tusche, 35,6 x 27,5 cm, Abb. in: Grosz, Berlin - New York, S. 392. Der Liebesbetrieb von heute. 1924, und George Grosz unter Anklage. 1924 (Hervorhebungen jeweils im Original), zit. nach Rosamunde Neugebauer Grafin von der Schulenburg, George Grosz. Macht und Ohnmacht satirischer Kunst, Berlin 1993, S. 109. Neugebauer stellt Grosz' Graphikfolgen "Gott mit uns", "Ecce homo" und "Hintergrund" in das Spannungsverhaltnis von "moralisierender" und "zynischer Satire".
Schwellig. " - und noch mehr. Einc Nachbetrachtung [Beilage zum I. 7. ,S. 19. 38 Satire in der Publizistik der Weimarer Republik ehemals mondane Frau wird ersetzt durch das langzopfige Madchen, die kommende Mutter des "Dritten Reichs". Der unbotmal3ige Kladderadatsch dient sich dem neuen Regime an. Er unterlegt Text und Bilder mit faschistischer Ideologie. Hier zielt Satire nur zu eindeutig auf Unterstiitzung und Verbreitung nationalsozialistischen Gedankenguts. Damit konterkariert diese Spielart satirischer Kommentierung ihre eigentliche Bestimmung: Kritik zu artikulieren.