By Marlies Kronegger (auth.), Anna-Teresa Tymieniecka (eds.)
Focusing commonly upon language, communique, textuality, etc., as is overwhelmingly modern day style, we omit the very raison d'être of literature and language itself.
relocating a step extra in our research of the anthropologico-ontopoietic assets of the life-significance of literature through unravelling the functionality of imaginatio creatrix in man's self interpretation-in-existence, this assortment seeks to bring on the royal position of allegory within the fostering of tradition.
A conjoint paintings of human elemental passions and of the human spirit, allegory mediates among lofty beliefs of the top human strivings and the pedestrian realm of evidence.
Interpretative or theoretical experiences surround allegory -- mediaeval, smooth and post-modern -- in numerous literatures. one of the authors are: Tymieniecka, Kronegger, Jorge Garcia Gomez, V. Osadnik, H. Hellerstein, H. Rudnick, R. Kiefer, V. Fichera, okay. Haney, Ch. Raffini, J. Williamson, B. Ross and Sitansu Ray.
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Extra info for Allegory Revisited: Ideals of Mankind
Analecta Husserliana XLI, pp. 31-57. © 1994 Kluwer Academic Publishers. 32 SARA F. GARCfA-G6MEZ with things. This opinion would fail to take into account one's consciousness of things, for consciousness - so far as it is intentional - is a fundamental openness to things and thus the locus where the living experiences of being, time, and other such themes would take place. In my judgment, the consciousness involved in leading one's life qua creaturely existence is precisely the foundation supporting the "philosophical" position that Guillen embodies in his poetry.
34 SARA F. GARCfA-G6MEZ CREATURELINESS AND GIFT-GIVING Guillen has been characterized as the singer of being. Criticism has not been oblivious to this fundamental sense of Cdntico; indeed, critics have underscored it. 12 To this end, a favored point of reference is his verse, "To be, just to be. 13 Such criticism is, for the most part, of one mind in accepting the view that Guillen's is an "essential realism", to use Marla del Carmen Bobes Naves's own formulation. 14 This is how she explains what this means: Generally speaking, realism is a stance by which someone is inclined to dwell on things, thus having the opportunity of gathering details about and preparing careful descriptions of things.
148) Indeed, the name of a possible Creator may just be barely audible in the "I hope" we heard before, and yet the experience undergone by this creaturely being, so far as he is part and parcel of a whole issuing from gift-giving, cannot be expressed except in terms of thankfulness. In Cantico, Guillen came to know being as a gift, and he did so by means of that most uncommon joy it brings about. Now, in confronting death, he fully recognizes the gratuitousness of the "useless" superabundance, say, of the blue of the fish, a perception that leads him to reflection (cf.