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Download Aditya, the Man from Nowhere 3: The Eye-Witness by Gayatri Rao Dutt & Pradeep Sathe PDF

By Gayatri Rao Dutt & Pradeep Sathe

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Kristeva reframes the dialogic in her discussion of text, textuality and the role of ideological structures, also stressing the importance of social and cultural context like Bakhtin (Allen 2011:34–35). In her discussion of the novel, Kristeva argues that dialogism ought Fantastic Transmedia 21 to be part of the vocabulary used to analyse poetic texts because it emphasises relationality, ‘the logic of distance and relationship between the different units of a sentence or narrative structure, indicating a becoming’ (1984:71).

Com 2014). com 2014). Mittell goes on to argue that the ‘balanced transmedia’ approach suggested in Jenkins’ definition, in which all elements of the crossmedia project contribute equally to the storyworld, is far from being the norm, at least in the context of the contemporary American television industry (2012–13). Rather, the dominant mode is what Jenkins terms ‘unbalanced transmedia’, with transmedia extensions encouraging interest in the parent text of the television programme, as well as providing additional revenue streams (ibid).

The relationship between the tie-in media and the parent programme is more complex in the case of science fiction and fantasy because the canon tends to be more intricate than the storyworlds conveyed in a more obviously mimetic genre such as crime (ibid). As Mittell argues, science fiction and fantasy tie-in work ‘can become part of the canonical storyworld, with details expanded in the novels sometimes appearing in future on-screen instalments’ (2012–13). com 2014). com 2014). Mittell goes on to argue that the ‘balanced transmedia’ approach suggested in Jenkins’ definition, in which all elements of the crossmedia project contribute equally to the storyworld, is far from being the norm, at least in the context of the contemporary American television industry (2012–13).

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