By Kody Keplinger
Whitley Johnson's dream summer season together with her divorce dad has changed into a nightmare. She's simply met his new fiancee and her children. The fiancee's son? Whitley's one-night stand from commencement evening. simply freakin' great.
Worse, she completely doesn't slot in together with her dad's excellent new country-club kin. So Whitley acts out. She events. not easy. So tough she doesn't even realize the great things correct lower than her nostril: a candy little destiny stepsister who's near to the single individual she's ever beloved, a ally (even notwithstanding Whitley swears she doesn't "do" friends), and a smoking-hot man who isn't her stepbrother...at least, now not but. it is going to take all 3 of them to assist Whitley get via her anger and start to place the items of her kin jointly.
Filled with authenticity and uncooked emotion, Whitley is Kody Keplinger's such a lot compelling personality to this point: a cynical Holden Caulfield-esque lady you are going to absolutely care approximately.
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Additional info for A Midsummer's Nightmare
163 . Grosz, Einstein und Heartfield 69 John Heartfield, Berliner Redensart, Fotomontage fUr Kurt Tucholsky, Deutschland, Deutschland iiber alles, Berlin 1929, S. 176.
In: Grosz, Berlin - New York, S. 186. Vgl. dazu George Grosz, Lustmord in der Ackerstral3e (1916117), Feder, Tusche, 35,6 x 27,5 cm, Abb. in: Grosz, Berlin - New York, S. 392. Der Liebesbetrieb von heute. 1924, und George Grosz unter Anklage. 1924 (Hervorhebungen jeweils im Original), zit. nach Rosamunde Neugebauer Grafin von der Schulenburg, George Grosz. Macht und Ohnmacht satirischer Kunst, Berlin 1993, S. 109. Neugebauer stellt Grosz' Graphikfolgen "Gott mit uns", "Ecce homo" und "Hintergrund" in das Spannungsverhaltnis von "moralisierender" und "zynischer Satire".
Schwellig. " - und noch mehr. Einc Nachbetrachtung [Beilage zum I. 7. ,S. 19. 38 Satire in der Publizistik der Weimarer Republik ehemals mondane Frau wird ersetzt durch das langzopfige Madchen, die kommende Mutter des "Dritten Reichs". Der unbotmal3ige Kladderadatsch dient sich dem neuen Regime an. Er unterlegt Text und Bilder mit faschistischer Ideologie. Hier zielt Satire nur zu eindeutig auf Unterstiitzung und Verbreitung nationalsozialistischen Gedankenguts. Damit konterkariert diese Spielart satirischer Kommentierung ihre eigentliche Bestimmung: Kritik zu artikulieren.